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Tuesday, March 20, 2018

Incredible #Miami Artist @JMargulis

Meet J. Margulis of J.Margulis Visual Artist - Voyage MIA Magazine | Miami City Guide

Incredible art from Miami artist, the Venezuelan @JMargulis in @VoyageMIAmag 

Meet J. Margulis of J.Margulis Visual Artist



Today we'd like to introduce you to J. Margulis.
So, before we jump into specific questions about the business, why don't you give us some details about you and your story.
I began my career as an artist through photography while studying Management in my native Venezuela. I was working at the time in a family-run business exploring digital printing and later in life, I decided to apply my professional skills to art making, as I progressively became interested in sculpture. Today, my artwork is the result of an intrinsic connection between two and three -dimensional planes, working with sculpture in parallel with photography.
I began producing acrylic 3D sculptures and compositions made from different types of colorful plastic sheets, affixing them onto surfaces, other times as free-standing structures or traditional fixtures on a wall. As a direct consequence of these productions, I began photographing my pieces as a way of documenting them, thereby generating a significant volume of autonomous photographic work which created an intimate connection between the photograph and its related piece, developing a visual yet independent dialogue through language, photography, and sculpture.
At the same time I was supporting myself through custom work I did in my acrylic shop, furniture, displays and any job I could make using my skills and equipment. One day a friend of mine from childhood was in town, he used to be the director of an Art Museum in California and even though I had a long time without talking to him I send him a message and ask him to come over and take a look at my work. I was not even showing my work at that time, I just had this small collection of pieces created by me which I felt where good enough for me to dream of having an Artist career. (something I dream about all my life and honestly felt it was not going to happen in this lifetime of mine).
I needed an opinion from someone I respect and trust given the subjective nature of art critique. I already had a family with two children at that time and could not afford to play the artist, I had a big responsibility but the urge to create, the ability to express myself with a clear voice was so overwhelming that I only need one encouraging word that would unlock my vision to give me license to dream of truly becoming a professional artist. And so it happens that one afternoon my friend swing by and took one look at my small collection of pieces and he could not believe these were the first pieces I ever made…
He took me under his wing and prepare my first show which obviously took many people by surprise, a lot of people did not believe in me and look at me as if I was a bit crazy but the show was a great success and so my artist career began and I never look back. On the contrary, I just spring forward working like a madman, evolving, growing and developing this new sense of myself. It's been several years from that time and I still have this feeling of gratitude, this sense of purpose and obligation to become the very best version of myself. Very few people get to do what the love the most in life, the possibility of realization is not a given and when you are lucky enough to find it specially when you thought it was too late for it then you know you must honor it every day for the rest of your life.
Has it been a smooth road?
As a struggling artist many times you must take another paying job we all have hear this before but the truth is that not being able to work on your Art is one of the most miserable feeling you can have, it just feels like a great waste of time. When you are an artist you know that transcendence, redemption and the ability to deeply communicate with other human beings only can be realize through art.
To sell an art piece more than the money you get to spend is a promise that you can keep making art and maybe if you sell enough you will be able to do it all day and everyday of your life…. that is a dream worth taking risks, exposing yourself and revealing without fear your most intimate essence.
It's a road full of uncertainty and many discouraging moments, disappointments and self doubt. But when you know this is your mission in life, when you know there is anything else that can take you to developing your full potential then you become a survivor and find the way to push forward and have faith in yourself.
So let's switch gears a bit and go into the J.Margulis Visual artist story. Tell us more about the business.
I believe that courage, empathy, and kindness are all ingredients in a powerful and elusive formula, which arms us with a clean and ever-sharpening lens that catches fleeting glimpses of our true nature. Small fractions of divine understanding that reverberate in our essence with the power to shape our deepest beliefs and completely change our perspectives, and so, the way we act in the unfolding of our own existence.
My work is about the physical representation of this belief. I digitally design 3-D objects and compositions, and cut them in slices from different types of plastic sheet materials. These slices are then fixed to a rigid canvas, a pedestal or held together in space. Most of my work is done using acrylic sheets with different levels of translucency in a range of colors, graphic patterns, textures and photographic images directly printed on the sheets' surfaces. The bright and fully saturated color palettes to which I instinctively gravitate to, is heavily influenced by the traditional Mexican arts and crafts which made a great impact on me during the time that I lived there.
I treat my three-dimensional pieces as light traps or secret blueprints, in which by controlling the placement of its components, I'm able to create intriguing 3-D containers. Their designs are then fully revealed by applying or "pouring" light into them. In a sense, light becomes the ink that reveals the design by following a 3-D template. The light source may vary from natural to one or more fixtures, placed on precise locations in relationship to the subject, with specific power, color temperature, angle and proximity.
These exposed patterns and designs are not absolutes or unique because as the viewer changes his point of view, the work expresses a different narrative that is completely new in its own essence. It intrigues and fascinates me how the object mutates in front of me, with no other resource but a simple change of perspective. Going back and forth naturally, I try to synthesize and integrate different perceptions that coexist as different facets of an object.
Every time, I find myself trying to lock that seemingly unreal angle in which we are able to contemplate the amazing connections among complex layers of facts, prejudices, and beliefs; that "sometimes surreal" frame in which we discover how easily we could be absolutely wrong and misjudge everything that surrounds us, while tragicomically posing ourselves as proud holders of truth and owners of higher grounds.
How do you think the industry will change over the next decade?
I think that the future is already here. Social media and online gallery platforms has created this scenario where there is a personal and direct relationship between the artist and the audience.
Right now anyone can truly get to know an artist by following his or her development on a continuous basis through social media images and the artist expressed ideas and thoughts. There is this virtual conversation in which art gets infused into people's daily life. You can talk to the artist, you can tell them what you like, what you don't like, celebrate the success or critique the shortcomings there is this amazing relationship potential not only with the art but with the artist itself.
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