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Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Monday, April 20, 2020

"Too much is really just fine.” Peter Beard, Wildlife Photographer on the Wild Side, Dies at 82


"If you crave something new, something original, particularly when they keep saying, 'Less is more,' remember that I say: Too much is really just fine."



Peter Beard, Wildlife Photographer on the Wild Side, Dies at 82

Called "the last of the adventurers," Mr. Beard photographed African fauna at great personal risk, and well into old age could party till dawn. He had been missing for 19 days.



Peter Beard in 1982. He was known for his photographs of African wildlife and for his exploits as a man about town.
Gerard Malanga


Peter Beard, a New York photographer, artist and naturalist to whom the word "wild" was roundly applied, both for his death-defying photographs of African wildlife and for his own much-publicized days — decades, really — as an amorous, bibulous, pharmaceutically inclined man about town, was found dead in the woods on Sunday, almost three weeks after he disappeared from his home in Montauk on the East End of Long Island. He was 82.

His family confirmed that a body found in Camp Hero State Park in Montauk was that of Mr. Beard.

He had dementia and had experienced at least one stroke. He was last seen on March 31, and the authorities had conducted an extensive search for him.

"We are all heartbroken by the confirmation of our beloved Peter's death," the family said in a statement, adding, "He died where he lived: in nature."

Mr. Beard's best-known work was the book "The End of the Game," first published in 1965. Comprising his text and photographs, it documented not only the vanishing romance of Africa — a place long prized by Western colonialists for its open savannas and abundant big game — but also the tragedy of the continent's imperiled wildlife, in particular the elephant.




Peter Beard Studio

Tuesday, March 20, 2018

Incredible #Miami Artist @JMargulis

Meet J. Margulis of J.Margulis Visual Artist - Voyage MIA Magazine | Miami City Guide

Incredible art from Miami artist, the Venezuelan @JMargulis in @VoyageMIAmag 

Meet J. Margulis of J.Margulis Visual Artist



Today we'd like to introduce you to J. Margulis.
So, before we jump into specific questions about the business, why don't you give us some details about you and your story.
I began my career as an artist through photography while studying Management in my native Venezuela. I was working at the time in a family-run business exploring digital printing and later in life, I decided to apply my professional skills to art making, as I progressively became interested in sculpture. Today, my artwork is the result of an intrinsic connection between two and three -dimensional planes, working with sculpture in parallel with photography.
I began producing acrylic 3D sculptures and compositions made from different types of colorful plastic sheets, affixing them onto surfaces, other times as free-standing structures or traditional fixtures on a wall. As a direct consequence of these productions, I began photographing my pieces as a way of documenting them, thereby generating a significant volume of autonomous photographic work which created an intimate connection between the photograph and its related piece, developing a visual yet independent dialogue through language, photography, and sculpture.
At the same time I was supporting myself through custom work I did in my acrylic shop, furniture, displays and any job I could make using my skills and equipment. One day a friend of mine from childhood was in town, he used to be the director of an Art Museum in California and even though I had a long time without talking to him I send him a message and ask him to come over and take a look at my work. I was not even showing my work at that time, I just had this small collection of pieces created by me which I felt where good enough for me to dream of having an Artist career. (something I dream about all my life and honestly felt it was not going to happen in this lifetime of mine).
I needed an opinion from someone I respect and trust given the subjective nature of art critique. I already had a family with two children at that time and could not afford to play the artist, I had a big responsibility but the urge to create, the ability to express myself with a clear voice was so overwhelming that I only need one encouraging word that would unlock my vision to give me license to dream of truly becoming a professional artist. And so it happens that one afternoon my friend swing by and took one look at my small collection of pieces and he could not believe these were the first pieces I ever made…
He took me under his wing and prepare my first show which obviously took many people by surprise, a lot of people did not believe in me and look at me as if I was a bit crazy but the show was a great success and so my artist career began and I never look back. On the contrary, I just spring forward working like a madman, evolving, growing and developing this new sense of myself. It's been several years from that time and I still have this feeling of gratitude, this sense of purpose and obligation to become the very best version of myself. Very few people get to do what the love the most in life, the possibility of realization is not a given and when you are lucky enough to find it specially when you thought it was too late for it then you know you must honor it every day for the rest of your life.
Has it been a smooth road?
As a struggling artist many times you must take another paying job we all have hear this before but the truth is that not being able to work on your Art is one of the most miserable feeling you can have, it just feels like a great waste of time. When you are an artist you know that transcendence, redemption and the ability to deeply communicate with other human beings only can be realize through art.
To sell an art piece more than the money you get to spend is a promise that you can keep making art and maybe if you sell enough you will be able to do it all day and everyday of your life…. that is a dream worth taking risks, exposing yourself and revealing without fear your most intimate essence.
It's a road full of uncertainty and many discouraging moments, disappointments and self doubt. But when you know this is your mission in life, when you know there is anything else that can take you to developing your full potential then you become a survivor and find the way to push forward and have faith in yourself.
So let's switch gears a bit and go into the J.Margulis Visual artist story. Tell us more about the business.
I believe that courage, empathy, and kindness are all ingredients in a powerful and elusive formula, which arms us with a clean and ever-sharpening lens that catches fleeting glimpses of our true nature. Small fractions of divine understanding that reverberate in our essence with the power to shape our deepest beliefs and completely change our perspectives, and so, the way we act in the unfolding of our own existence.
My work is about the physical representation of this belief. I digitally design 3-D objects and compositions, and cut them in slices from different types of plastic sheet materials. These slices are then fixed to a rigid canvas, a pedestal or held together in space. Most of my work is done using acrylic sheets with different levels of translucency in a range of colors, graphic patterns, textures and photographic images directly printed on the sheets' surfaces. The bright and fully saturated color palettes to which I instinctively gravitate to, is heavily influenced by the traditional Mexican arts and crafts which made a great impact on me during the time that I lived there.
I treat my three-dimensional pieces as light traps or secret blueprints, in which by controlling the placement of its components, I'm able to create intriguing 3-D containers. Their designs are then fully revealed by applying or "pouring" light into them. In a sense, light becomes the ink that reveals the design by following a 3-D template. The light source may vary from natural to one or more fixtures, placed on precise locations in relationship to the subject, with specific power, color temperature, angle and proximity.
These exposed patterns and designs are not absolutes or unique because as the viewer changes his point of view, the work expresses a different narrative that is completely new in its own essence. It intrigues and fascinates me how the object mutates in front of me, with no other resource but a simple change of perspective. Going back and forth naturally, I try to synthesize and integrate different perceptions that coexist as different facets of an object.
Every time, I find myself trying to lock that seemingly unreal angle in which we are able to contemplate the amazing connections among complex layers of facts, prejudices, and beliefs; that "sometimes surreal" frame in which we discover how easily we could be absolutely wrong and misjudge everything that surrounds us, while tragicomically posing ourselves as proud holders of truth and owners of higher grounds.
How do you think the industry will change over the next decade?
I think that the future is already here. Social media and online gallery platforms has created this scenario where there is a personal and direct relationship between the artist and the audience.
Right now anyone can truly get to know an artist by following his or her development on a continuous basis through social media images and the artist expressed ideas and thoughts. There is this virtual conversation in which art gets infused into people's daily life. You can talk to the artist, you can tell them what you like, what you don't like, celebrate the success or critique the shortcomings there is this amazing relationship potential not only with the art but with the artist itself.
Contact Info:

Getting in touch: VoyageMIA is built on recommendations from the community; it's how we uncover hidden gems, so if you know someone who deserves recognition please let us know here.

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Monday, September 29, 2014

@EstherHonig challenges idea of universal #beauty by asking 25 countries to #Photoshop her face @MBandF

Beauty is always in the eye of the beholder

Honig realised that perceptions of beauty depend just as much on the individual as on the culture where that person is from.
“Even though there were over-arching themes to beauty, individuals, no matter their culture, had different perspectives of what the word ‘beautiful’ means. It’s hard to know what is cultural and what is personal..."



Read the whole article on the MB&F page here: Esther Honig challenges idea of universal beauty by asking 25 countries to Photoshop her face


Friday, December 10, 2010

Rangali Snorkel Maldives

Snorkeling on the shore reef off the Water Villas on Rangali Island, Maldives
Rangali Snorkel Maldives @ Yahoo! Video 
Rangali Snorkel Maldives

Rangali Snorkel Maldives




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Sunday, July 25, 2010

Saturday, July 17, 2010

just another walk in the park......

just another walk in the park...... 
Ed Stafford is first man to walk length of the Amazon




Walking the Amazon
'Loony idea' ... Ed Stafford walked the entire length of Amazon river
'Loony idea' ... Ed Stafford walked the entire length of Amazon river


ED Stafford had a "loony idea" to do something no one had ever done - and walk the entire 4,000-mile length of the Amazon.
He reckoned the epic journey would take him 12 months... but he was a bit out.
Now, two and a quarter YEARS after setting out, the 34-year-old former Army captain is still walking - but is finally within days of his goal.
On the way Ed has been pursued by machete-wielding tribesmen and detained for murder, as well as outwitting jaguars, pit vipers and a fly that set up home in his head.
Long hard trek ... Ed Stafford wades through the Amazon
Long hard trek ... Ed Stafford wades through the Amazon
Keith Ducatel
He has lived off piranhas and struck fear into local tribes who mistook him for a monster that traded in babies' body parts.
Ed told The Sun from the Brazilian jungle: "I have a week until I arrive at a network of roads around Belem and then ten days on roads.
"It's unavoidable - unfortunately I'm not slipping out of the jungle on to the beach, although there is a little road that looks out on to the Atlantic.
"It will be wonderful. I can't tell you how long it seems to have taken. I was expecting it to be a year, but it seems like a lifetime."
Ed left Britain in March 2008, starting the journey at Camana in Peru with pal Luke Collyer, though they fell out just months into the trip.
Luke came home and Ed found another hiking partner, Peruvian guide Gadiel Rivera, known as "Cho".
Their achievement of walking from the river's source to its mouth has already attracted support from legendary explorer Sir Ranulph Fiennes, and Ed says: "I fully acknowledge it's a loony thing to do. But no one has ever done it on foot."
The pair used inflatable pack rafts to cross and recross the river and its flooded banks and used sat nav to pinpoint their route.
Perserverance ... Ed, here in Peruvian jungle, kept trekking despite unpleasent experiences
Perserverance ... Ed, here in Peruvian jungle, kept trekking despite unpleasent experiences
Keith Ducatel
Ed adds: "It's great to be so near the end. I'm not whingeing and struggling but physically I'm starting to fall apart. My joints feel funny, my elbow is ridiculously inflamed, my rucksack has been broken for two months and I've had a fly living in my head."
The gruesome insect, called a botfly, lays its eggs on mosquitos which then bite humans, depositing the eggs under the skin, where they start to grow.
In Ed's case it took superglue and a nasty-looking needle to get it out. But he reveals the most dangerous part of the trip was in Peru, where he and Cho crossed drug-trafficking territory.
Ed says: "The native people were telling me, 'You will die' every day. It can get to you after a while.
Whatever floats his boat ... Ed used inflatable rafts to cross the river
Whatever floats his boat ... Ed used inflatable rafts to cross the river
Keith Ducatel
"We were in an area that for a long time had been controlled by terrorists from the Shining Path communist group and they are very wary of outsiders.
"We were using high-frequency radios to tell the villages ahead we were coming. But one told us, 'If you come through you will die.'
"We came up with a back-up plan to cross over to an island that was a long sandbank instead.
"But as we were getting back to the shore we saw behind us five canoes with Indians with bows and arrows, shotguns and machetes.
Meeting the locals ... with Ashaninka Indians in Peru
Meeting the locals ... with Ashaninka Indians in Peru
Keith Ducatel
"They were furious and ready to kill us, but we were as persuasive as we could be. We were finally able to calm them down but it took over three hours."
Even so, Ed - who left the Army in 2002 after serving in Afghanistan - reckons the sheer duration of the trip has been the hardest part.
Crossing a continent ... Ed Stafford's amazing adventure
Crossing a continent ... Ed Stafford's amazing adventure
He says: "It's the mosquitos, the humidity, the biting ants, day after day. Things that weren't bothering me at first became a frustration, but I've stuck it out for nearly two and a half years."
At one point he was also detained under suspicion of murder near Contamana, in north-east Peru.
He recalls: "A person had gone missing, and as passing foreigners, people thought we may have done it. The villagers decided we couldn't go anywhere, until eventually the local authorities let us go."
Along the way there have also been dramatic encounters with wildlife and Ed says: "Electric eels were something I hadn't heard about beforehand.
"But as I now know they are dangerous and aggressive and can knock you out and even cause you to drown in the water.
"Luckily we've been through so many swamps and rivers and I think they are far more scared of us than we are of them.
"I've also seen lots of jaguar prints. The locals always say they are manhunters, but they've never been too close.
"Snakes are a real threat but only if you step on one.
Threat ... electric eel
Threat ... electric eel
"Cho had a snake fall on his shoulders but it wasn't venomous. We carry 48 hours' worth of anti-venom.
"There are loads of pit vipers, which are probably our main worry.
"Without anti-venom you would bleed from all parts of your body, including your eyes, and would be dead within three hours.
"You are more likely to see them coiled up beneath a stone. If we got bitten it would probably be a defensive strike." Ed says he can sometimes "completely switch off" during the walk but with the finish in sight he has increasingly been dreaming of home.
The food has often been extremely simple, with the pair mostly surviving on rice and beans, and while locals are usually friendly, their attitude to the pair has varied.

Anxiety

Ed says: "In Brazil people are more educated and more accepting, but in Peru they have had 30 years of terrorist activity and they have issues because they live in such high anxiety.
Danger ... pit viper
Danger ... pit viper
"They believe in something called a Pelacala - a gringo, or white man, who steals babies and babies' organs.
"All they have is word of mouth and lots of communities were just terrified to see me.
"I was walking with Cho and some Ama Indians who had to explain our presence, and their fear was very real.
"Maybe there have been body-parts traffickers in there in the past - it was hard to know.
"We tended to make ourselves available to communities, because otherwise they wonder why you are avoiding them.
"But I often had men standing around my hammock with guns all night to make sure I didn't steal their children."
The state of the Amazon rainforest on the trip has varied - in Peru the logging was difficult to detect but in the Para region of Brazil there are huge cattle ranches and vast areas that are now clear of trees.
Hazard ... jaguar
Hazard ... jaguar
Ed, from Mowsley, Leicestershire, says: "You do see that the younger generation here are growing up knowing they need to protect it.
"We should all keep the pressure on, although I think over the next ten years the amount of deforestation will decline rapidly.
"We seem to be at the beginning of a more conscientious era."
Ed says his trip has led to personal sacrifices - "like not having a girlfriend and being poor."
It has cost nearly £70,000 and was only made possible after his mum and a friend launched a flurry of fundraising and sponsorship half-way through.
Unwanted guest ... botfly
Unwanted guest ... botfly
Ed also admits he only decided on the epic journey after being dumped by a previous girlfriend in 2007. He adds: "It puts a pause on your love life - there just isn't any."
And he describes his ideal day once he is back in England.
He says: "My perfect day would be to wake up and have breakfast with my family and then play rugby at my club, Stoneygate.
"After that I would go out on the town and have a few beers. I can't wait."
I ask him what he feels he has learned on the trip and he says: "I thought I was one man and his rucksack against the Amazon.
"Instead I found I needed a great team around me.
"I couldn't have done it without Cho, my family or my friends."
For more information go to walkingtheamazon.com.




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